Welcome to my profile
Pierre Megos
My Experiences
SHOWREEL WORKSHOP CINEMA (2022 - 2022)
Role: Actor
Actor Cinema directed by Laura Wandel / Ann Sirot and Rafael Balboni, Michael Blanchart / Jean Benoît Ugeux / Xavier Seron/ Arthur Lecouturier / Alexe Poukine / Pablo Munos Gomez Casting Directors and Acting Coach : Sebastian Moradiellos / Michael Bier / Catherine Israel / Emmanuelle Bourcy / Anette Trumel /Cloe Xhauflaire /
SHORWREEL SELFTAPES (2022 - 2022)
Role: Actor
Actor DIRECTED BY Me, Myself and I i Pierre Megos focused on his acting career during the pandemic by using the ultimate tool : Selftape. Being fast / Being creative / Presenting yourself the best way / Understanding the vision of a director or casting director with small informations about them or a character or a screenplay is the common playground for actors. IN ENGLISH and FRENCH FOR CINEMA and COMMERCIAL
ACTOR COMMERCIAL (2022 - 2023)
Role: Piannist singer
Actor - Singer -Musician for a voo commercial directed By Felix Guimard
BAXKSTAGE SHOOTING (2022 - 2022)
Role: Actor
Backstage video for social media - actor movie on post production « Par-delà les Baleines » directed by Christophe De Groef - actor Tv show 🧜 directed by Alex Eslam
COMMERCIAL (2022 - 2022)
Role: Office manager
Actor for a Corporate commercial. Main role / Office Manager directed by Dirk Domen
ACTOR COMMERCIAL (2021 - 2021)
Role: Barman
Actor for a Jupiler commercial directed by Willem Volker
CINEMA THEATRE LIVE SHOW (2017 - 2019)
Role: Actor director writer
With this project, Pierre Megos embraces theater, technology and cinema in real time with his "Cinema-Theater". Concretely, a chroma key cinema studio is installed on sight on a stage on which an actor plays by imagining the decorations, the situations as well as the characters of the story. In front of him, one or more cameras connected to a computer capture what is happening on the playing area and at the same time allow the actor to get into a film. A soundtrack accompanies the actor, serving as a partner for interacting with the narrative and dramatic events that exist in the film that he is in contact with but that he cannot see. Spectators can see the result of the actor’s movements in a black and white film projected on a screen. The cinematographic plans are composed of miniaturized sets (whose final rendering is on a human scale), special effects and actors previously filmed.